Lamentation

2001


My work is of my body. Self-referential forms are cast from the prototype of my own physicality. They reside within the space of exhibition, yet they should always be thought of as part of me. These wearable pieces are both extensions and protections. They are illustrations of my inner-self.

Performance became a natural evolution. Through the use of my voice–which over the years I've been developing through classical training–my pieces are coming to life like never before. The viewer is witnessing an event, which happens in the moment and can never be identically recreated.